I’m staying at my Mum’s place in Broadstairs at the moment and the internet is broken. Because of this I’ve come to the local library to type my reviews only to discover I can’t listen to anything as my headphones are also bruk. I’m totally disorganised. So, anyway, I was meant to write about the new Crystal Castles album this week but can’t listen to it right now so I’m going to do this from memory. OK. It sounded pretty good, except it got a little same-y in parts. If you’ve listened to Crystal Castles before, it’s pretty much more of the same, albeit a little more layered sounding. If you haven’t, they sound like computer games and electro and stuff clattering together with disembodied female vocals lurking and rising above the mix in a strangely passionless way. I remember there being a great song about 5 tracks in that had a funny kind of tumbling hip hop beat to it and, other than that, my favourite bits on the LP were the lairy spiky songs that sounded like all the mobile phones in the world having a fit, and my least favourite bits were the trance lite ‘accessible’ numbers that I suspect the record label love. Fortunately there will be about a million other reviews of this on the internet so y’know, you can look at them to find out what more together journalists say this sounds like, or, if you hate the idea of musicians earning money, you could just download the album for free like half the rest of the world did.
KODE 9 TALKS
We had a catch up with Mr Goodman to hear about the number 9, Scallops & Black Pudding and to find out if he's got another book in him...








